Tag Archives: contemporary sculpture

High-tide

08 MARCH – 28 MARCH 2020

QDOS Fine Arts 35 Allenvale Road Lorne VIC Australia                      

Created largely from fishing-gear amassed over many years of exploring the coastal environment of southwest Victoria, this selection of abstract sculptural and assemblage works and limited edition prints is from a number of on-going series addressing issues relating to climate change and use of resources.

Undertow

20 November 2019 – 5 January 2020 Main Gallery, Yering Station VIC

The works in this solo exhibition are selected from an ongoing series, begun in 2003, focusing on the coastal environment of my home territory in southwest Victoria, Australia. All works in Undertow are made of fishing gear broken free and washed up on the beaches of Discovery Bay. Each is made of a particular collection I’ve amassed over many years of walking this sensational coastline.

Yarra Valley Arts/Yering Station Sculpture Exhibition & Awards

13 October – 8 December 2019 Yering Station 38 Melba Hwy Yarra Glen 3775 Australia

Carmel Wallace REFUGE 2017/8
Recycled safety-net, pine needles, thread. Size:variable (8m x 230cm x 15cm fully extended).
photo by Kristian Laemmle-Ruff
Carmel Wallace REFUGE 2017/8
Recycled safety-net, pine needles, thread.
Size:variable (8m x 230cm x 15cm fully extended)
WINNER of the YERING STATION SCULPTURE AWARD

Created in Billilla gardens during my 2017/18 Bayside Artist Residency, Refuge embodies migration, resilience and shelter. This work is made of fallen pine needles both thickly matted on the floor and threaded into a discarded trampoline safety-net. The tree that provided the needles is a migrant pine species from the Canary Islands off Africa. Unique in shape as a result of a lightning strike in 1918, it is listed on the National Trust register for its ‘curious form’ and celebrated for its difference. Although bearing the scars of a survivor, it is appreciated for its beauty and contribution of shade and shelter for birds, possums, insects and humans in the public garden where it grows. Many people worked with me under this tree to create Refuge and in doing so celebrate difference, community and contribution.

‘water+wisdom’ RMIT Gallery 1/12/17 – 10/3/18

Water + Wisdom exhibition & symposium invitation

Honoured to be included in this exhibition and symposium featuring the work of Australian and Indian artists, writers and researchers. This new exhibition creatively explores both customary knowledge and contemporary issues surrounding water.

‘Landscape Constructed’ 4 March 2017 – 12 June 2017 Warrnambool Art Gallery

A selection of 3D and 2D works from Warrnambool Art Gallery’s permanent collection.

‘One of Warrnambool Art Gallery’s most famous paintings, Tower Hill by Eugene von Guerard (1855) is the earliest pictorial record we have of Tower Hill. As such, it is used as a primary source of evidence used by rangers today to reconstruct, rehabilitate and re-vegetate the site which was once denuded and destroyed by European settlers.  However accurate this painting is (over 15 specific native plant species can be identified in the work), the fact remains that Tower Hill is being reconstructed through the vision of von Guerard.
This exhibition takes a look at how landscapes are constructed and de-constructed all the time both physically and in our imaginations. The works chosen depict different aspects of the Australian landscape such as the rugged coastline of the southwest, the Dreamtime YawkYawk, the plantations of the Portland area and the stunning sunsets and sunrises of our region.’  http://www.thewag.com.au/exhibition/landscape-constructed

James Gleeson ‘Sky Divisions Gathering’ 1989

Carmel Wallace ‘Forests to Have and to Hold’ 2012

 

 

Beached Verandah exhibition @ Wishart Gallery in Port Fairy

My verandah was laden with materials gathered from the tideline. Although used regularly in my artwork, this beach-found collection grew at a seemingly exponential rate!   Beached Verandah was devised as an innovative project that would make creative use of my beach gleanings. It drew artists together and provided them with a rare opportunity to work with one person’s collection from a particular place – Discovery Bay in southwest Victoria. The project immersed artists in this coastal environment, encouraging them to share knowledge and explore unfamiliar materials and techniques. The outcome is individual and collaborative sculptures and installations about the place the materials were collected from and the environmental issues they are indicative of. It was wonderful to have the opportunity of working with these artists and sharing my beach-found collection with them.