QDOS Fine Arts 35 Allenvale Road Lorne VIC Australia
Created largely from fishing-gear amassed over many years of exploring the coastal environment of southwest Victoria, this selection of abstract sculptural and assemblage works and limited edition prints is from a number of on-going series addressing issues relating to climate change and use of resources.
20 November 2019 – 5 January 2020 Main Gallery, Yering Station VIC
The works in this solo exhibition are selected from an ongoing series, begun in 2003, focusing on the coastal environment of my home territory in southwest Victoria, Australia. All works in Undertow are made of fishing gear broken free and washed up on the beaches of Discovery Bay. Each is made of a particular collection I’ve amassed over many years of walking this sensational coastline.
Honoured to be included in this exhibition and symposium featuring the work of Australian and Indian artists, writers and researchers. This new exhibition creatively explores both customary knowledge and contemporary issues surrounding water.
A selection of 3D and 2D works from Warrnambool Art Gallery’s permanent collection.
‘One of Warrnambool Art Gallery’s most famous paintings, Tower Hill by Eugene von Guerard (1855) is the earliest pictorial record we have of Tower Hill. As such, it is used as a primary source of evidence used by rangers today to reconstruct, rehabilitate and re-vegetate the site which was once denuded and destroyed by European settlers. However accurate this painting is (over 15 specific native plant species can be identified in the work), the fact remains that Tower Hill is being reconstructed through the vision of von Guerard.
This exhibition takes a look at how landscapes are constructed and de-constructed all the time both physically and in our imaginations. The works chosen depict different aspects of the Australian landscape such as the rugged coastline of the southwest, the Dreamtime YawkYawk, the plantations of the Portland area and the stunning sunsets and sunrises of our region.’ http://www.thewag.com.au/exhibition/landscape-constructed
This solo exhibition is a survey of prints by Carmel Wallace, including early screen-prints developed at Portland Community Access Print-shop and etchings, relief and mono prints made at Portland Bay Press and in the artist’s studio. Review by Marguerite Brown